Tuesday, March 21, 2023

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Nikon Z5 – Photograph Evaluate

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In abstract

The Nikon Z5 is a superb little digital camera that’s enjoyable to make use of and may take glorious images.

Customers of Nikon’s DSLR cameras will discover the small and light-weight Z5 has a well-recognized management format and its menu is equally structured. The intense, high-res EVF and touch-screen monitor will even make transitioning to mirrorless straightforward.

Though Nikon DSLR upgraders might want to add a Nikon FTZ Lens Adapter (RRP AU$500) to make their F-mount lenses usable on Z-mount cameras, there are many options that make the Z5 enticing to a wider viewers.

If you happen to shoot quite a lot of video, the Z6 shall be better option due to its full-pixel readout utilizing the total sensor width for 4K video recording. It additionally affords a a lot increased (12 fps) body fee for steady recording.

Full evaluate

Introduced on 21 July, the Z5 slots in under the Z6 as Nikon’s new entry-level full-frame mirrorless digital camera and encompasses a barely completely different 24.3-megapixel CMOS picture sensor from the Z6 however the identical EXPEED 6 picture processor as different Nikon Z-mount cameras. The Z5 is the primary twin slot Z-mount digital camera and the primary to allow USB powering in addition to battery charging. In any other case, it shares many options with the Z6, together with 5-axis in-body picture stabilisation (IBIS) with as much as 5 stops of shake correction plus the identical 273-point hybrid AF system and EVF.

Angled view of the Nikon Z5 fitted with the Nikkor Z 24-200mm f/4-6.3 VR package lens. (Supply: Nikon.)

In Australia, the Z5 is obtainable as a physique alone in addition to with the Nikkor Z 24-50mm f/4-6.3 and 24-200mm f/4-6.3 VR package lenses. We acquired the 24-200mm f/4-6.3 VR, which is reviewed individually for this evaluate.

The digital camera is provided with a 170-page printed Consumer’s Handbook. A duplicate of this information in addition to a extra detailed, 778-page Reference Handbook, each in PDF format, can be found for downloading on the Nikon Obtain Centre.

Who’s it For?
In addition to getting down to appeal to budget-conscious digital camera consumers seeking to purchase right into a mirrorless system, with the Z5 Nikon is concentrating on its present DSLR digital camera homeowners who wish to transfer to a mirrorless mannequin, whereas retaining their present lenses. The lure of a full body sensor might additionally justify a transfer by APS-C DSLR customers to the bigger sensor format.

Thankfully, customers of Nikon’s DSLR cameras will discover the small and light-weight Z5 has a well-recognized management format and its menu is equally structured. The intense, high-res EVF and touch-screen monitor will even make transitioning to mirrorless straightforward.

Though Nikon DSLR upgraders might want to add a Nikon FTZ Lens Adapter (RRP ~AU$500) to make their F-mount lenses usable on Z-mount cameras, there are many options that make the Z5 enticing to a wider viewers and, whereas its price ticket is comparatively excessive in contrast with an entry-level DSLR, it’s significantly decrease than the similarly-featured Z6.

Having to swap to a brand new lens mount will even elevate the difficulty of attainable alternate options amongst competing manufacturers. Click on right here to see a desk evaluating key options of the entry-level ‘full body’ cameras from Canon, Nikon, Panasonic and Sony.

Z5 vs Z6 Variations
Ergonomically, the our bodies of the Z5 and Z6 are very related, though the Z5 is deeper by two millimetres and 5 grams heavier.  This can be as a result of the Z5’s physique has two card slots, as an alternative of 1 and each slots use the cheaper, extra available SD format playing cards, the place the Z6 has a single slot that makes use of quicker and costlier XQD playing cards.

Essentially the most seen variations are on the highest panel, the place a mode dial sits within the place occupied by the information LCD on the Z6 and Z7, the place the mode dial is on the alternative aspect of the EVF housing. Each digital camera our bodies declare the identical diploma of climate sealing and have the identical 5-axis in-body picture stabilisation system.

The Z5 has a more recent EN-EL15c battery, which is CIPA rated at 390 photographs or 115 minutes of video per cost when the EVF is used, or 470 photographs or 120 minutes of video per cost with the LCD monitor. The Z5’s battery is backwards-compatible with the older EN-EL15b battery however, not like it, helps USB charging.

The Z5 has virtually the identical efficient decision because the Z6 however its CMOS sensor is front-illuminated, moderately than backside-illuminated as it’s within the Z6. The distinction has some significance as BSI sensors are more practical gentle collectors and, therefore, can ship higher low-light efficiency. Additionally they present a wider angular response and should supply quicker readout instances.

The native ISO vary within the Z5 is restricted to ISO100-25600, whereas the Z6 extends the vary to ISO 51200 and can ship higher efficiency in low gentle ranges, particularly at excessive ISO settings. The Z6 additionally has much better steady taking pictures capabilities, with a most body fee of 12 fps, in contrast with 4.5 fps for the Z5.

Each cameras share the identical 273-point Hybrid AF system with sensors overlaying 90% of the body horizontally and vertically. Selectable AF modes are related in each cameras and each assist face and eye detection for human topics.  The Z5 provides Animal-Detection AF that may monitor the faces and eyes of canines, and cats to its menu however solely instead setting to human face/eye detection. Nonetheless, animal eye detection gained’t work in film mode.

Whereas each cameras are able to recording 4K video at as much as 30 fps (25 fps for PAL customers), the Z5 imposes a 1.7x crop on 4K footage, leading to decrease decision then the Z6, which data the total width of the body. The Z6 additionally data oversampled 6K footage, which is downsampled to 4K and produces far more detailed recordings. It additionally affords N-Log recording, which isn’t supported within the Z5.

With Full HD video, each cameras file with out cropping the body however the Z6 is the one one that may file at as much as 120 fps (100 fps for PAL format) for 4x slow-motion playback. The Z5 has an higher restrict of 60 fps (50 fps for PAL format).

Construct and Ergonomics
Though containing extra plastic than the Z6, the Z5’s physique is claimed to have the same degree of dust-and moisture-sealing its siblings and its textured cladding feels equally snug within the arms. However the Z6 has the higher hand in its monitor decision (2,100,000 dots vs 1,040,000 dots within the Z5) though each have the identical 0.5-inch, 3.69 million-dot OLED digital viewfinder, with 100% horizontal and vertical protection and 0.8x magnification plus the identical 21 mm eyepoint.

The Z5’s prime panel is completely different, with nothing on the left aspect. The mode dial has been shifted to the correct hand aspect of the EVF housing however in any other case the controls on the grip moulding (overlaying ISO, publicity compensation and film begin/cease) are similar on each cameras.

The highest panel of the Z5 with no lens fitted exhibiting the re-design that places the mode dial on the consumer’s proper hand aspect, moderately than the left. (Supply: Nikon.)

Whereas the mode dial on the Z5 carries the identical settings because the Z6’s, it lacks a lock and might be dislodged inadvertently. Nonetheless, the brand new place makes it extra accessible whereas the digital camera is in use.

Entrance view of the Z5 with no lens fitted. (Supply: Nikon.)
Additionally similar on each cameras is the big rear command dial, which is semi-embedded within the rear proper hand aspect nook of the highest panel. The monitor on the Z5 has the identical tilt angle because the Z6’s monitor and is usable for each taking pictures changes (together with focus level choice) and for looking photographs in playback mode.

The rear panel of the Z5 with the monitor flat on the digital camera again. (Supply: Nikon.)

Like different Z-series fashions, the Z5 is provided with the BF-N1 physique cap, and DK-29 rubber eyecup (hooked up). It additionally comes with the EN-EL15c rechargeable Li-ion battery with terminal cowl, MH-25a battery charger plus mains energy cable, AN-DC19 strap, UC-E24 USB cable and BS-1 accent shoe cowl.

Sensor and Picture Processing
The CMOS sensor within the Z5 sits behind a low-pass filter, which barely reduces its decision potential. The best decision stills it produces are 6016 x 4016 pixels in measurement, in contrast with 6048 x 4024 pixels within the Z6 which, mixed with its BSI design, ought to yield barely superior picture high quality.

The hybrid phase- and contrast-detection AF system is similar to the one within the Z6. With an array of 273 AF factors overlaying a lot of the picture sensor’s floor, the AF system additionally advantages from subtle AF algorithms that present topic monitoring, eye-detection and animal-detection AF.  Autofocusing is feasible at gentle ranges all the way down to -3.5EV or -6EV with low-light AF enabled.

Like different Nikon cameras, the Z5 can file NEF.RAW recordsdata with 12 or 14 bit depth, both compressed or with lossless compression. Uncompressed recording just isn’t obtainable. RAW+JPEG pairs might be recorded with high-quality, regular or fundamental compression. Uncooked recordsdata are barely smaller than their equivalents within the Z6 however JPEGs are barely bigger.

Six sequential frames from a burst of photographs recorded at 4.5 fps with focus monitoring; 200mm focal size, ISO 200, first body in sequence at 1/1250 second at f/6.3.

The Z5’s most steady taking pictures fee is barely 4.5 frames/second however the digital camera performs nicely at this setting, as proven within the illustration above. It additionally gives a Steady Low mode that permits customers to decide on charges between one and 4 frames/second. The buffer reminiscence can accommodate as much as 100 frames, whatever the file measurement or format.

Picture high quality setting Picture measurement File measurement No. of photographs on a 32GB SD card
NEF.RAW, lossless compressed, 12-bit Giant 21.9MB 757
NEF.RAW, lossless compressed, 14-bit 27.8MB 662
NEF.RAW, compressed, 12-bit 19.5MB 1000
NEF.RAW, compressed, 14-bit 24.0MB 856

JPEG Superb

Giant 10.2MB 1800
Medium 7.1MB 3000
Small 4.1MB 5,800

JPEG Regular

Giant 6.5MB 3600
Medium 4.0MB 6000
Small 2.2MB 11,100

JPEG Fundamental

Giant 2.5MB 7000
Medium 1.8MB 11,500
Small 1.2MB 20,300

The EXPEED 6 picture processing engine allows the digital camera to assist a local sensitivity vary extending from ISO 100 to ISO 51200. Lo and Hello extensions increase the vary to ISO 50 and ISO102400. Changes all through your complete vary might be made in 0.3EV steps.

Like most cameras launched this 12 months, the Z5 can file 4K video at 25 fps (PAL format) with a most bit fee of 144Mbps. It additionally helps Full HD recording at 50 fps with a bit fee of 56Mbps or 28Mbps in addition to at 25 fps with 28/14Mbps choice.

Customers can select between the MOV and MP4 (with the H.264/MPEG-4 codec) however the identical resolutions and body charges can be found for each. Though it’s not specified, it’s secure to imagine IPB compression is utilized.

In contrast to its siblings, the Z5’s sensor space is cropped by an element of 1.7x for video recording. A part of this cropping is as a result of change in facet ratio from 3:2 to 16:9 however the remainder applies the same old crop issue extension to the general efficient focal size of the lens. The illustration under simulates the diploma of body cropping within the varied film modes.

The digital camera additionally gives a DX-based film format which crops the lengthy axis of the body to suit into the 1.5x crop utilized when the digital camera is recording stills in DX mode. No additional cropping is utilized on this recording mode and FHD 1080/50p recording can also be uncropped.

The Z5 is restricted to fundamental 4K recording capabilities which implies it will possibly’t ship 10-bit 4:2:2 HDMI output and doesn’t supply 12-bit ProRes Uncooked recording or the Log and slow-motion modes offered by the Z6. Digital stabilisation is obtainable nevertheless it applies extra body cropping and as much as 231 phase-detection AF factors might be chosen.

Microphone and headphone connections are offered, together with attenuator and wind noise filters. Peaking and zebra shows can be found for monitoring focus and publicity ranges. Nonetheless photographs might be recorded silently when you’re recording a video clip and the Artistic Image Controls might be utilized to film footage.

The interval timer is sort of subtle and, not like most cameras, the Z5 can be utilized to file a sequence of nonetheless photographs at pre-set intervals or create time-lapse films with a 16:9 facet ratio the digital camera will save each nonetheless frames and the film concurrently. The beginning time and variety of photographs might be chosen, together with the variety of photographs per interval.

Publicity smoothing and silent seize are additionally obtainable. This mode can be utilized for AE bracketing in addition to taking pictures 1:1 films. The digital camera defaults to the sRGB color area for all recordings on this mode.

Playback and Software program
The Z5 affords the identical fundamental playback settings as different Nikon cameras and, like most fashionable digital camera just isn’t provided with a software program disk. The printed consumer’s guide gives URLs for linking to Nikon’s obtain centre, the place you’ll find copies of the essential and detailed manuals in addition to the beneficial applications: ViewNX-i and Seize NX-D in addition to the Wi-fi Transmitter Utility for connecting the digital camera to a community.

Efficiency-wise we discovered the Z5 was quite a bit just like the Z6, each within the look of picture recordsdata and efficiency in our Imatest assessments. This isn’t shocking since they share so many options.

JPEG recordsdata had been in a position to match expectations for the sensor’s decision close to the centre of the body and fell solely slightly quick in the direction of the perimeters. NEF.RAW frames had been transformed into 16-bit TIFF format with Adobe Digital camera Uncooked (our most well-liked uncooked file converter) and produced barely increased decision, just like the Z6.

Decision for each file sorts peaked on the ‘native’ ISO 100 setting and remained excessive via to ISO 12800 (one cease increased than within the Z6) earlier than declining regularly thereafter, as proven within the graph of our Imatest outcomes above. As within the Z6, two highest settings delivered increased decision than anticipated for each JPEG and NEF.RAW recordsdata.

Imatest confirmed color accuracy to be superb and the variations between JPEG and NEF.RAW recordsdata had been small, though saturation ranges had been barely decrease in uncooked recordsdata, as anticipated. Color shifts had been barely larger in JPEGs however, once more, the variations had been minimal.

Lengthy exposures at night time contained loads of element. Pictures captured between ISO 100 and ISO 25600 had been usually sharp with pure color ranges, though noise had grow to be evident by ISO 12800.  By ISO 51200, noise was apparent and by ISO 12800 shadowed areas had been blocking up and the dynamic vary in photographs was visibly decreased.

And not using a flash, we might solely take a look at the evaluate digital camera with tungsten, fluorescent and warm-toned LED lights.  In frequent with different Z-series cameras, the auto setting gives three choices: the default A1, which retains the ‘general environment’ and is beneficial for many conditions plus two extra settings.

One (#2) retains heat tones, whereas the opposite (#0) is meant to bias colors in favour of white. Though setting 0 barely decreased the nice and cozy bias of the tungsten and LED lighting, we couldn’t see a lot distinction between the opposite settings in our take a look at photographs.

As anticipated, the A1 auto setting was in a position to ship impartial color rendition underneath fluorescent lighting. There’s no white stability pre-set for LED lighting and the presets for tungsten and fluorescent lighting tended to over-correct however there are the same old in-camera changes for tweaking colors on-the-fly, that are simple to make use of.

Autofocusing was usually fast and correct for each stills taking pictures and in film mode in regular gentle ranges and lighting situations. It was additionally fairly quick for the lengthy exposures we took at night time and there have been few situations of searching when the lens was close to its close-focusing restrict.

Topic monitoring was not fairly as environment friendly, mostly when transferring from extensive angle to telephoto with the 24-200mm lens provided for our evaluate. Utilizing the continual AF mode was quicker and extra correct than single-shot AF when taking pictures transferring topics and contact AF made it fast and simple to deal with exact areas of the body.

We recorded our film assessments with the auto taking pictures mode and sensitivity on the auto setting plus autofocusing steady autofocusing. Most clips had been recorded with the high-quality setting, though we additionally shot a few comparability clips on the regular high quality.

The AF system carried out significantly nicely in Dynamic-Space AF mode whereas recording topics that moved erratically and when topics entered or left the body unexpectedly. Video high quality was a lot as we anticipated for the Z5’s capabilities and clips appeared good when performed again on a 4K TV set.

Soundtracks had been acceptable and it’s helpful to have the ability to bias the microphone’s frequency vary to the human voice when required, as an alternative of getting solely an ‘common’ bandwidth. With out the attenuator and wind noise filter, recordings had been prone to wind noise, however each had been helpful in outside recordings, though the wind filter suppressed, moderately than eradicated, wind noise. Recordings had little stereo ‘presence’.

For our timing assessments we used two 32GB UHS Class II SDHC playing cards, one made by Lexar Skilled and the opposite a SanDisk Excessive PRO card. Each had been rated at 300MB/s and JPEGs and NEF.RAW recordsdata had been recorded individually.  It took simply over a second for the digital camera to power-up prepared for taking pictures.

Seize lag with autofocus was constant at 0.5 seconds however was eradicated when photographs had been pre-focused in addition to in guide focus mode. On common it took 0.9 seconds to course of every JPEG and a fraction much less for a 14-bit NEF.RAW file.

Shot-to-shot instances within the single-shot mode averaged 0.9 seconds, which is comparatively lengthy for a contemporary digital camera. This most likely occurred as a result of the shutter wouldn’t launch whereas photographs had been being processed.

The Z5 gives two steady taking pictures settings:  Steady Excessive with a body fee of 4.5 fps and Steady Low, the place customers can select body charges from one to 4 fps. Within the Steady Excessive mode, we recorded 49 frames in 11.2 seconds, which may be very near the desired body fee. Nonetheless, it took 38 seconds to clear the buffer reminiscence, which may be very sluggish.

Swapping to 14-bit uncooked recording, we recorded 51 frames in 11.3 seconds, which is way the identical body fee. Apparently, buffer clearing instances had been roughly the identical as for JPEGs. Marginally slower seize and processing instances had been recorded for RAW+JPEG pairs.

We ran the identical timing take a look at with the silent shutter mode and located body charges had been slower on the entire. Thirty-five frames had been recorded in 13.4 seconds, which is lower than three frames/second. Apparently, it solely took about 10 seconds to course of that burst.


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Picture sensor: 35.9 x 23.9 mm CMOS sensor with 24.93 million photosites (24.3  megapixels efficient)
Picture processor:  EXPEED 6
A/D processing: 12- or 14-bit (lossless compressed or compressed)
Lens mount: Nikon Z mount
Focal size crop issue: 1x
Picture codecs: Stills: JPEG (DCF Ver. 2.0, Exif Ver. 2.31), NEF.RAW, RAW+JPEG; Films: MOV, MP4 /H.264/MPEG-4 Superior Video Coding, Linear PCM (Stereo)  audio for MOV format, AAC for MP4 films
Picture Sizes: Stills – FX: 6016 x 4016, 4512 x 3008, 3008 x 2008; DX: 3936 x 2624, 2944 x 1968, 1968 x 1312; Films: 4K (3840 x 2160) @ 30p/25p/24p, FHD (1920 x 1080) @ 60p/50p/25p/24p
Side ratios: 3:2, 16:9, 1:1
Picture Stabilisation: 5-axis picture sensor shift VR
Mud removing: Picture sensor cleansing, Picture Mud Off reference information (Seize NX-D software program required)
Shutter (pace vary): Electronically-controlled vertical-travel focal-plane mechanical shutter; digital front-curtain shutter; digital shutter (30 to 1/8000 second plus Bulb and Time; X-sync at 1/200 sec.)
Publicity Compensation: +/- 5EV in 1/3 or 1/2EV steps obtainable in modes P, S, A, and M (+/-3EV for films)
Publicity bracketing: 2 frames +/-0..3EV; 3 or 5frames throughout +/-0,7EV; 7 frames throughout+/-1.0EV or 9 frames throughout +/-1.3EV in 1/3EV steps
Different bracketing choices: Flash, white stability, Energetic D-Lighting
Self-timer: 2, 5, 10 or 20 seconds delay, 1-9 exposures at intervals of 0.5, 1.2 or 3 seconds
Interval recording: Sure, for time-lapse pictures and films
Focus system: Hybrid phase-detection/distinction AF with AF help
AF factors & choice: 273 selectable factors; Pinpoint (obtainable in picture mode solely), single-point, and dynamic-area AF (obtainable in picture mode solely); wide-area AF (S); wide-area AF (L); auto-area AF
Focus modes: Single-servo AF (AF-S), Steady-servo AF (AF-C), full-time AF (AF-F; obtainable solely in film mode) ; predictive focus monitoring Handbook focus (M)
Publicity metering: TTL metering utilizing digital camera picture sensor with  Matrix metering, Centre-weighted common and spot metering patterns
Taking pictures modes: Auto, P: programmed auto with versatile program, S: shutter-priority auto, A: aperture-priority auto, M: guide U1, U2 and U3: consumer settings modes
Image Management modes: Auto, Customary, Impartial, Vivid, Monochrome, Portrait, Panorama, Flat Artistic Image Controls (Dream, Morning, Pop, Sunday, Sombre, Dramatic, Silence, Bleached, Melancholic, Pure, Denim, Toy, Sepia, Blue, Crimson, Pink, Charcoal, Graphite, Binary, Carbon); chosen Image Management might be modified; storage for customized Image Controls
In-camera results: Monochrome, Sepia, Cyanotype, picture overlay
Dynamic Vary capabilities: Energetic D-Lighting with Auto, Further excessive, Excessive, Regular, Low, and Off modes; HDR (excessive dynamic vary) picture mode
Color area choices: sRGB and Adobe RGB
ISO vary: Auto (ISO 100 to 51200 in steps of 1/3 or 1/2 EV ) with extension to ISO 50 and ISO 102400 obtainable; adjustable in 1/3 or 1 EV steps
White stability: Auto (3 sorts), pure gentle auto, direct daylight, cloudy, shade, incandescent, fluorescent (7 sorts), flash, select color temperature (2500 Ok to 10,000 Ok), preset guide (as much as 6 values might be saved), all with fine-tuning besides select color temperature
Flash: Exterior flashguns solely
Flash modes: Entrance-curtain sync, sluggish sync, rear-curtain sync, red-eye discount, red-eye discount with sluggish sync, off
Flash publicity adjustment: +/- 3EV in 1/3, 1/2EV steps
Sequence taking pictures: Max. 4.5 frames/sec. with locked AF
Buffer capability: Max. 100 frames JPEG or RAW recordsdata
Storage Media: Twin slots for SD, SDHC, SDXC playing cards (UHS-I, II appropriate)
Viewfinder: 0.5-inch, 3,690,000-dot OLED EVF with 100% body protection, 21mm eyepoint, 0.8x magnification, -4 to +2 dpt adjustment, eye sensor
LCD monitor: 3.2-inch tilting TFT touch-sensitive LCD with 170° viewing angle, 1,040,000 dots
Playback capabilities: Full-frame and thumbnail (4, 9, or 72 photographs or calendar) playback with playback zoom, playback zoom cropping, film playback, picture and/or film slide exhibits, histogram show, highlights, picture data, location information show, auto picture rotation, and film ranking
Interface terminals: USB Kind-C, HDMI (sort C), 3.5 mm stereo mini jack (microphone), 3.5 mm stereo mini jack (headphone), accent terminal for MC-DC2 distant
Wi-Fi perform: Constructed-in (IEEE 802.11b/g/n) 2412 to 2462 MHz (channel 11) 0.7 dBm Open system, WPA2-PSK; Bluetooth Low Power
Energy provide: EN-EL15c rechargeable Li-ion batteries in particular base pack; CIPA rated for approx. 390 photographs/cost
Dimensions (wxhxd): Approx. Approx. 134 x 100.5 x 69.5 mm
Weight: Approx. 590 grams (physique solely); 675 grams with battery and card

Distributor: Nikon Australia,1300 366 499



Based mostly upon JPEG recordsdata recorded with the Nikkor Z 24-200mm f/4-6.3 VR lens.

Based mostly upon NEF.RAW recordsdata captured concurrently and transformed into 16-bit TIFF format with Adobe Digital camera Uncooked.



Auto white stability with incandescent lighting, A1 auto setting.

Auto white stability with incandescent lighting, A0 (maintain white) auto setting.

Auto white stability with fluorescent lighting.

Auto white stability with warm-toned LED lighting, A1 auto setting.

Auto white stability with warm-toned LED lighting, A0 (maintain white) auto setting.

30 second publicity at ISO Lo 1 (ISO 50), 39mm focal size, f/5.

25 second publicity at ISO 100, 39mm focal size, f/5.6.

5 second publicity at ISO 800, 39mm focal size, f/8.

2 second publicity at ISO 6400; 39mm focal size, f/13.

1.3 second publicity at ISO 12800; 39mm focal size, f/14.

1 second publicity at ISO 25600; 39mm focal size, f/18.

0.6 second publicity at ISO 51200; 39mm focal size, f/20.

1/4 second publicity at ISO Hello 1 (ISO102400); 39mm focal size, f/18.

Shut-up at 200mm focal size; ISO 100, 1/500 second at f/6.3.

Shut-up via glass; 140mm focal size, ISO 2000, 1/320 second at f/6.3.

Shut-up in low loight ranges; 200mm focal size, ISO 12800, 1/200 second at f/6.3.

Shut-up in low gentle ranges; 200mm focal size, ISO 8000, 1/200 second at f/6.3.

Backlit topic with spot metering; 200mm focal size, ISO 720, 1/200 second at f/6.3.

39mm focal size; ISO 200, 1/320 second at f/8.

120mm focal size; ISO 100, 1/500 second at f/8.

200mm focal size, ISO 400, 1/200 second at f/9.

200mm focal size, ISO 100, 1/200 second at f/8.

200mm focal size, ISO 200, 1/1600 second at f/11.

180mm focal size, ISO 1100, 1/200 second at f/6.3.

58mm focal size, ISO 200, 1/640 second at f/8.

200mm focal size, ISO 1400, 1/200 second at f/6.3.


The next video clips had been all shot from the identical place.

Nonetheless body from 3840 x 2160 (4K UHD) video clip recorded at 25p.

Nonetheless body from
1920 x 1080 video clip recorded at 50p.

Nonetheless body from
1920 x 1080 video clip recorded at 25p.

Further picture samples might be discovered with our evaluate of the Nikkor Z 24-200mm f/4-6.3 VR lens.



RRP: AU$2449; US$1399.95

  • Construct: 8.8
  • Ease of use: 8.8
  • Autofocusing: 8.8
  • Nonetheless picture high quality JPEG: 8.5
  • Nonetheless picture high quality RAW: 9.0
  • Video high quality: 8.5



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