Nikon D7500 – Picture Assessment

In abstract

The D7*** line-up sits between the consumer-orientated D5*** fashions and the extra skilled D5** fashions the place it supplies among the automated options widespread to the previous plus applied sciences included within the latter.  

Using the D500’s 20-megapixel sensor and EXPEED 5 processor allows Nikon to capitalise upon quantity manufacturing value financial savings whereas providing the advantages of quicker processing for 4K video and steady taking pictures.  

The tilting LCD monitor can also be an enchancment, though a fully-articulated display screen would have been preferable.

For ‘related era’ photographers, the D7500 joins the SnapBridge-enabled line-up, providing  Wi-Fi connectivity through low-power Bluetooth.  

The D7500 supplies among the publicity controls lacking from the D5600, together with 4K video and in addition throws within the in-camera results modes and scene pre-sets from the lower-priced digicam. Its barely slimmer and lighter physique features a deeper, extra snug hand grip, which ought to go well with nearly all of potential customers.

Sports activities shooters will definitely recognize the rise within the buffer reminiscence, notably for NEF.RAW recordsdata. The slimmer, lighter physique can even be welcomed by anybody who has to hold the digicam for prolonged intervals of time.

Full assessment

Introduced in early January, the D7500 is the newest mannequin in a protracted line of DSLRs for picture fans that started with the D70 again in January 2004. The brand new mannequin replaces the D7200  and makes use of the 20-megapixel sensor from the D500  to allow 4K video and a quicker steady body fee, albeit with a slight drop in decision. The tilting monitor is lengthy overdue on this collection however its decision is down on the D7200’s and the D7500 has just one card slot, the place the D7200 has two.

 The Nikon D7500, proven with the AF-S 18-140mm f/3.5-5.6G ED VR lens, a preferred bundled possibility. (Supply: Nikon.)

Different options which have modified are outlined beneath. We obtained the assessment digicam with the AF-S Nikkor 58mm f/1.4G lens, which we reviewed in April 2016 with the Nikon D5 digicam. Re-sellers usually bundle the D7500 with the AF-S 16-80mm f/2.8-4E ED VR lens (reviewed in October 2015) or the AF-S 18-140mm f/3.5-5.6G ED VR lens (reviewed in January 2014).

Who’s it For?
 The D7*** line-up sits between the consumer-orientated D5*** fashions and the extra skilled D5** fashions the place it supplies among the automated options widespread to the previous plus applied sciences included within the latter. Pricing is a crucial difficulty for cameras at this stage as most consumers will focus upon the worth vs worth/efficiency ratio.

Using the D500’s 20-megapixel sensor and EXPEED 5 processor allows Nikon to capitalise upon quantity manufacturing value financial savings whereas providing the advantages of quicker processing for 4K video and steady taking pictures. Sadly, the tilting monitor (a bonus over the fastened display screen on the D7200) is neither as versatile nor as excessive in decision because the absolutely articulated display screen on the lower-priced D5600. Given the amount financial savings argument, it’s exhausting to know why that monitor wasn’t used within the D7500.

For ‘related era’ photographers, the D7500 joins the SnapBridge-enabled line-up, providing  Wi-Fi connectivity through low-power Bluetooth. We reported on the present iteration of SnapBridge in our assessment of the D5600 in February 2017.

The D7500 supplies among the publicity controls lacking from the D5600, together with 4K video and in addition throws within the in-camera results modes and scene pre-sets from the lower-priced digicam. Its barely slimmer and lighter physique features a deeper, extra snug hand grip, which ought to go well with nearly all of potential customers.

Is it value updating? In all probability, should you’re a D7000 or D7100 proprietor and undoubtedly if you wish to shoot 4K video. However perhaps not should you’re proud of the earlier era D7200, which ought to enchantment to photographers who primarily shoot stills and wish all of the decision they’ll get.

What’s Modified?
 The desk beneath reveals the principle variations between the D7500 and its predecessor, the D7200. It’s vital to notice that the 51-point Superior Multi-CAM 3500 II DX autofocusing system shouldn’t be listed on this desk as a result of it carries over from the D7200.

There’s additionally a brand new Auto Image Management, which relies upon the Normal Image Management however guarantees that ‘portrait topics will seem softer and the foliage and sky in out of doors photographs extra vivid’. The D7500 additionally contains the 3D-tracking, Group-area Autofocus and Auto AF Nice Tune settings present in higher-featured fashions.

Group-area AF prompts 5 focus factors to trace topics, thereby rushing up preliminary focus acquisition and monitoring of topics. It’s best for monitoring birds in flight or different erratically  -moving topics. Auto AF Nice Tune allows customers to calibrate the AF settings for every lens routinely and make AF micro changes to enhance focus accuracy. With just one prime lens provided for our assessment, we weren’t in a position to check this perform on the D7500.

As within the D7200, Dwell View autofocus depends on distinction detection however the contact display screen permits customers to maneuver the AF level anyplace within the body. AF modes unique to Dwell View embody wide-area AF, normal-area AF, subject-tracking AF and Face-Precedence AF in addition to the AF-A full-time servo  AF possibility.  

Customers of previous Nikon lenses, who depend on the mechanical AI coupling lever for connecting the lens to the physique to allow mild metering must also remember that there’s no pin on the D7500. Consequently, Non-CPU Lens Information isn’t accessible so wide-aperture metering with these lenses shouldn’t be supported though handbook publicity with out metering stays doable.

Construct and Ergonomics
 Other than the reductions in measurement and weight, enlarged grip and removing of the second card slot, there’s not a lot distinction between the our bodies of the D7500 and its predecessor. A comparatively minor labelling adjustment on the entrance panel buttons sees the depth-of-field preview button re-labelled Fn1.  

Entrance view of the Nikon D7500 with no lens fitted. (Supply: Nikon.)

Curiously, though you possibly can assign a number of totally different features to this button, depth-of-field preview shouldn’t be amongst them. We predict it is a critical omission, though you may get round it by taking pictures in Dwell View mode, which shows the picture with the chosen lens aperture setting. It’s not adequate to evaluate DOF in vivid taking pictures situations and will get noisy in low mild ranges, nevertheless it’s higher than nothing.  

High view of the Nikon D7500 with no lens fitted. (Supply: Nikon.)

On the highest panel, the D7200’s metering button is changed by an ISO button, which is moved nearer to the shutter button/on-off lever.  No hot-shoe cowl is provided with the brand new digicam The info LCD panel is slimmer within the vertical dimension and among the shows have been eliminated (or moved to the monitor). Different controls are primarily unchanged.  

The rear panel of the Nikon D7500. (Supply: Nikon.)

On the rear panel, the information and i buttons have traded locations and the metering controls now share the zoom-in button. The arrow pad has additionally slipped down just a little, which makes it much less straightforward to shoot one-handed.

One of many port covers has been faraway from the left hand aspect panel, leaving the bigger higher cowl to guard the USB and HDMI ports plus the microphone connection, whereas the decrease one shields the headphone and accent terminals.

The digicam strap feeds straight via loops on the aspect panels, with the left hand aspect loop ahead of the one on the proper, barely disrupting the general steadiness. Lastly, not like the D7200, the D7500 has no vertical grip possibility.

Sensor and Picture Processing
The sensor and EXPEED 5 processor are the identical as used within the D500 and lined in our assessment of that digicam, which was posted in July 2016. Just like the D500, the D7500 gives  two cropped codecs (24 x 16 mm and 1.3x crop), three picture sizes (giant, medium and small) and 12- or 14-bit lossless compressed or compressed NEF.RAW. Simultaneous RAW+JPEG seize is obtainable at every of the three JPEG file sizes supported.

The D7500 additionally helps the identical ISO vary, with a base vary of  ISO 100 to ISO 51200  and extensions right down to ISO 50 equal and as much as ISO 1640000 equal accessible (though we wouldn’t trouble with the ‘Hello’ settings above Hi1 ““ and which have reservations in regards to the usability of that setting). Nonetheless, the continual taking pictures body fee is slower at 8 fps, in contrast with 10 fps within the D500.

Because the sensor/processor mixture makes 4K video doable, the film resolutions and body charges supported within the D7500 are primarily the identical because the D500’s. Digital VR stabilisation is obtainable for the FHD and HD decision modes. It crops the body just a little when lively.

Microphone sensitivity ranges is adjustable for each the built-in and accent mics and a sound stage indicator is supplied. Wind noise discount can also be accessible.

The D7500 additionally contains the identical 1.3x crop mode because the D500, which will increase the efficient focal size by 1.3x. It’s solely accessible within the   FHD and HD decision modes; 4K frames are usually not cropped.

Time-lapse recording can also be accessible with an analogous vary of settings to these within the   D500, together with help for 4K decision.  Publicity smoothing can cut back publicity variations between frames to supply flicker-free silent motion pictures.

Playback and Software program
 The D7500 gives the usual playback choices, together with full-frame and thumbnail (4, 9, or 72 pictures or calendar) playback, zoom of as much as 21x for giant DX pictures and film playback. Its touch-screen monitor helps the usual gestural controls, together with swipe, pinch and unfold.

The digicam can show picture and film slide reveals, brightness and RGB histograms, spotlight alerts, picture data and placement information (obtained from a related GPS-enabled gadget). Auto picture rotation can also be accessible and customers can delete and defend chosen frames and the digicam will be set to embed copyright data. Urgent the ‘i’ button permits customers to use star rankings to photographs, choose pictures to ship to a related gadget, entry the choices within the retouch (for nonetheless images) and edit (for motion pictures) menus and select the folder for storing photographs.

No software program was provided with the assessment digicam however the printed consumer’s handbook supplies URLs for linking to downloads for the SnapBridge app and a consumer handbook that may be put in on a wise gadget. Nikon’s obtain centre  supplies hyperlinks to ViewNX-i and Seize NX-D, the advisable applications for file administration and uncooked file processing in addition to the Image Management Utility 2 for enhancing and managing Image Controls and copies of the consumer handbook in PDF format.

NEF.RAW recordsdata are supported by Adobe Digital camera Uncooked, our most popular uncooked file converter, which is an built-in plug-in for Photoshop and Lightroom.

Efficiency
 Subjective assessments of photographs taken with the assessment digicam confirmed them to  be comparable in look to photographs we took with the D500 (which isn’t shocking since each cameras have the identical sensor and processor). As with the D500, we discovered Auto D-Lighting management was wanted to acquire usable JPEGs in vivid, contrasty lighting.

Autofocusing was acceptably quick and correct when taking pictures stills when the viewfinder was used for shot composition. However it remained noticeably slower within the Dwell View mode.

When recording  film clips, autofocusing efficiency was erratic, notably when re-focusing upon topics transferring inside the body. Having face detection generally added to the delay because the system switched from one topic to a different. As with the D7200, many clips needed to be fastidiously reduce to supply a watchable sequence.

Imatest testing confirmed saturation ranges in JPEG recordsdata had been properly balanced with solely minor shifts in color steadiness affecting the yellow, purple and purple hues. Transformed uncooked recordsdata had barely decrease saturation and barely higher color accuracy.

Imatest confirmed the decision of JPEG recordsdata to barely exceed expectations within the centre of the body and fall barely beneath expectations on the edges. (This fall-off is because of the lens.) With NEF.RAW recordsdata transformed into 16-bit TIFF format with Adobe Digital camera Uncooked (our most popular file converter), each centre and edge resolutions had been effectively above expectations.

Decision remained excessive between the Lo1 ISO setting and ISO 6400, after which it started a gradual decline. There was a big drop in decision, notably for JPEG recordsdata, with every step within the ‘Hello’   vary, with photographs taken at settings above Hi2 so fragmented we had been unable to measure them. The graph beneath plots the outcomes of our Imatest exams on JPEG and NEF.RAW recordsdata for ISO settings as much as Hi2.
 

 
 Lengthy exposures at night time had been detailed and colour-accurate, proper as much as ISO 25600, after which softening and noise turned progressively extra noticeable. Color saturation declined at ISO 51200 and granularity was apparent. Pictures taken with the Hi1 setting can be usable at small output sizes however by Hi3 the picture was very delicate and flat wanting. The Hi5 setting the picture was critically noise-affected and successfully unusable.
 
Flash photographs fared higher than lengthy exposures in the principle, though some lack of distinction was evident in photographs at ISO 12800. By ISO 51200 pictures appeared each quite delicate and flat. High quality deteriorated farther from that time, though photographs taken at ISO settings as much as Hi3 appeared more and more delicate and noisy. They is likely to be usable at small output sizes however photographs taken with the Hi4 and Hi5 settings had been successfully unusable.

Auto white steadiness efficiency was much like different Nikon cameras we’ve examined and. just like the D500, the D7500 supplies two auto settings: Auto 1 the ‘regular’ setting and Auto 2 which retains the nice and cozy lighting colors. We didn’t trouble with the Auto 2 in our exams, which aimed to guage the digicam’s capacity to right color casts.

The Auto 1 setting did not utterly take away the nice and cozy casts of our incandescent and LED lights, though it got here shut sufficient to make it comparatively straightforward to acquire a impartial color rendition in Photoshop. Pictures taken below fluorescent lighting had been very near impartial and flash photographs had been acceptably color impartial.

The handbook pre-sets over-corrected barely, imparting a slight blue forged to photographs taken below each fluorescent and incandescent lights however offering good corrections for photographs taken below LED lights. Guide measurement produced impartial color rendition and there are many in-camera changes for tweaking colors on-the-fly.

Video clips had been comparable in look to these from the D500, and of acceptable high quality as soon as the frames blurred by re-focusing had been eradicated. This blurring occurred whatever the decision setting, though body charges of 25 fps had been the worst affected.

Our timing exams had been carried out with a Lexar Skilled 64GB SDXC UHS-II reminiscence card, which claims a switch pace of 300 MB/second and is quick sufficient for recording 4K motion pictures and quick bursts of high-resolution stills. The assessment digicam powered-up nearly instantaneously.

When the viewfinder was used, seize lag instances averaged 0.2 seconds with out pre-focusing, lowering to a mean of lower than 0.1 seconds when photographs had been pre-focused. In Dwell View mode, common seize lag instances prolonged to 0.5 seconds on common. It took 1.2 seconds to course of every JPEG or NEF.RAW file or a RAW+JPEG pair.

Shot-to-shot instances within the single-shot mode averaged 0.4 seconds with the viewfinder. In Dwell View mode, shot-to-shot instances averaged 1.85 seconds, the delays being attributable to the mirror having to rise and fall extra slowly between photographs.

With flash, shot-to-shot instances prolonged to nearly three seconds, on common when the viewfinder was used. We didn’t measure shot-to-shot instances with flash in Dwell View mode.

Within the high-speed steady taking pictures mode, the digicam recorded 16 Massive/Nice JPEG frames with most high quality in 2.1 seconds, which is in step with specs. It took 5.5 seconds to course of this burst. Losslessly compressed 14-bit uncooked recordsdata crammed the buffer reminiscence at 41 frames, which had been recorded in 5.6 seconds. Seize was barely erratic, which accounts for the lower-than-specified body fee. Buffer clearing took 24.4 seconds.

Swapping to RAW+JPEG seize, we recorded 36 frames in 4.6 seconds, which can also be in step with specs. It took 31 seconds to clear the buffer reminiscence.   The digicam additionally gives a Steady L mode wherein customers can select body charges from one to seven frames/second. The default setting is three frames/second.

Conclusion
 The D7500 represents a small, however important in some methods, replace over the D7200 however a down-grading in others. In adopting the D500’s sensor and processor it beneficial properties 4K video and a barely quicker steady taking pictures body fee at a really marginal lack of total decision when taking pictures stills. It’s a pity the AF system wasn’t improved.

The tilting LCD monitor can also be an enchancment, though a fully-articulated display screen would have been preferable. Sadly, the monitor’s decision is diminished however on the similar time it beneficial properties contact controls. Some inexplicable micro-management has seemingly taken place.

We doubt most potential consumers would discover the one millimetre lower within the viewfinder eyepoint (18.5 mm vs 19.5 mm within the D7200). However most will most likely remorse the return to a single card slot, regardless of it being suitable; with quicker SDXC   playing cards (that are wanted for 4K film recordings).

On the plus aspect, sports activities shooters will definitely recognize the rise within the buffer reminiscence, notably for NEF.RAW recordsdata. The marginally slimmer physique and lighter weight can even be welcomed by anybody who has to hold the digicam for prolonged intervals of time.

House owners of older Nikon DX cameras have extra incentives to improve and may most likely give the D7500 full consideration, notably if they need greater decision. Nonetheless, if 4K motion pictures aren’t your factor and the inconveniences of taking pictures motion pictures with a DSLR put you off, the D7200 is effectively value a glance and can value you roughly AU$500 much less (for the physique) than the D7500.

Nikon is bundling the D7500 with a lot of common, normal function zoom lenses, amongst them the AF-P 10-20mm f/4.5-5.6G VR, AF-S 16-80mm f/2.8-4E ED VR and AF-S 18-140mm f/3.5-5.6G ED VR. In the event you’re concerned with one among these lenses and plan to improve to the D7500, it can save you fairly a bit by buying one among these kits.

A search of native on-line resellers reveals the asking worth of the D7500 physique to be someplace between AU$1600 and AU$2000. The most well-liked equipment bundle, which pairs the D7500 with the   AF-S 18-140mm f/3.5-5.6G ED VR lens ranges from slightly below AU$1800 to about AU$2600 so it pays to buy round.

B&H, which markets aggressively into Australia has the D7500 physique for US$1246.95 (=AU$1561.02 on 1/8/17) and the physique + AF-S 18-140mm f/3.5-5.6G ED VR lens at US$1546.95 (= AU$1936.47). You’ll want so as to add roughly AU$60-65 for the most affordable transport, which is able to make the US costs greater than the perfect accessible for native re-sellers.

Shopping for off-shore will imply you forego Australian client safety and have to attend for the tools to reach. You’ll even be chargeable for 10% GST because the package deal passes via Customs. We’d undoubtedly suggest procuring at your native digicam retailer, which is able to present the benefit of a hands-on trial of the gear before you purchase plus knowledgeable recommendation to help you.

SPECS

 Picture sensor: 23.5 x 15.7 mm CMOS sensor with 21.51 million photosites (20.9 megapixels efficient)
 Picture processor:  EXPEED 5  
 A/D processing: 12 or 14 bit, lossless compressed or compressed JPEG
 Lens mount: Nikon F mount (with AF coupling and AF contacts)
 Focal size crop issue: 1.5x
 Picture codecs: Stills: JPEG (DCF 2.0, EXIF 2.31, PictBridge), NEF.RAW, RAW+JPEG; Films: MOV, MP4 (H.264/MPEG-4 Superior Video Coding with Linear PCM, AAC stereo audio)
 Picture Sizes: Stills ““ 5568 x 3712, 4176 x 2784, 2784 x 1856; Films:   3840 x 2160 (4K UHD); 30p (progressive), 25p, 24p 1920 x 1080; 60p, 50p, 30p, 25p, 24p 1280 x 720; 60p, 50p  
 Picture Stabilisation: Lens primarily based
 Mud removing: Picture sensor cleansing, Picture Mud Off reference information (Seize NX-D software program required)
 Shutter (pace vary): Electronically-controlled vertical-travel focal-plane mechanical shutter; digital front-curtain shutter accessible in mirror up launch mode (1/8000 to 30 seconds plus Bulb, Time; flash synch at 1/250 sec.)
 Publicity Compensation: +/- 5EV in 1/3EV or 1/2EV steps in P, S, A, M, SCENE, and EFFECTS modes (+/-EV for motion pictures)
 Publicity bracketing: 2, 3, 5, 7 frames throughout +/- 5EV in 1/3EV, 1/2EV, 2/3EV, 1EV, 2EV steps
 Different bracketing choices: Flash, White steadiness, ADL
 Self-timer: 2, 5, 10 or 20 seconds delay; 1 to 9 exposures at intervals of 0.5, 1, 2, or 3 sec.
 Focus system: Nikon Superior Multi-CAM 3500 II sensor with TTL part detection,  51 focus factors (together with 15 cross-type sensors; f/8 supported by 1 sensor);
 Focus modes: Steady-servo AF (AF-C), Auto AF-S/AF-C choice (AF-A), predictive focus monitoring activated routinely in response to topic standing, Guide focus (M): Digital rangefinder can be utilized; Group AF mode and Auto AF Nice Tune
 Publicity metering:  TTL publicity metering utilizing RGB sensor with approx. 180,000 pixels;  3D color matrix metering III (kind G, E, and D lenses); color matrix metering III (different CPU lenses), Centre-weighted and Spot metering patterns
 Capturing modes: Auto modes (auto; auto, flash off); scene; results; programmed auto with versatile program (P); shutter-priority auto (S); aperture-priority auto (A); handbook (M); U1/U2   (consumer settings)
 Scene presets: Portrait; panorama; youngster; sports activities; shut up; night time portrait; night time panorama; occasion/indoor; seaside/snow; sundown; nightfall/daybreak; pet portrait; candlelight; blossom; autumn colors; meals
 Particular Results: Evening imaginative and prescient; tremendous vivid; pop; picture illustration; toy digicam impact; miniature impact; selective color; silhouette; excessive key; low key
 Color area choices: Adobe RGB, sRGB
 ISO vary: Auto, ISO 100 to 51200 in steps of 1/3 or 1/2 EV, extension to ISO 50 and  ISO 1640000 equal accessible
 White steadiness: Auto (2 sorts), incandescent, fluorescent (7 sorts), direct daylight, flash, cloudy, shade, preset handbook (as much as 6 values will be saved, spot white steadiness measurement accessible throughout stay view), select coloration temperature (2500 Ok to 10,000 Ok), all with fine-tuning
 Flash: Constructed-in pop-up flash; GN 12 (m, ISO 100; i-TTL flash management utilizing 2016-pixel RGB sensor)
 Flash modes: Auto, auto with red-eye discount, auto sluggish sync, auto sluggish sync with red-eye discount, fill-flash, red-eye discount, sluggish sync, sluggish sync with red-eye discount, rear-curtain with sluggish sync, rear-curtain sync, off; Auto FP Excessive-Velocity Sync supported
 Flash publicity adjustment: -3 to +1 EV in steps of 1/3 or 1/2 EV
 Sequence taking pictures: Max. 8 frames/sec.  
 Buffer capability: 100 JPEG, 50 RAW recordsdata or   RAW+JPEG pairs
 Storage Media: SD, SDHC, SDXC playing cards (UHS-I compliant)
 Viewfinder: Eye-level pentaprism with approx. 100% body protection, approx. 0.94x  magnification, 18.5mm eyepoint, -2 to +1 dpt adjustment
 LCD monitor: 3.2-inch tilting TFT touch-sensitive LCD with 922,000 dots (VGA), 170 ° viewing angle, roughly 100% body protection, handbook brightness management, eye-sensor
 Playback features: Full-frame and thumbnail (4, 9, or 72 pictures or calendar) playback with playback zoom, playback zoom cropping, film playback, picture and/or film slide reveals, histogram show, highlights, picture data, location information show, image score, and auto picture rotation
 Interface terminals: Hello-Velocity USB 2.0 with Micro-B, Sort C HDMI, 3.5 mm stereo mini-jacks for audio in/out, accent terminal for non-obligatory WR-1, WR-R10 wi-fi distant controllers, MC-DC2 distant twine, GP-1/GP-1A GPS unit
 Wi-Fi perform: IEEE 802.11b, IEEE 802.11g supported; SnapBridge with low vitality Bluetooth
 Energy provide: EN-EL15a rechargeable Li-ion Battery Pack; CIPA rated for approx. 950 photographs/cost
 Dimensions (wxhxd): 135.5 x 104 x 72.5 mm
 Weight: Approx. 640 grams (physique solely); 720 grams with battery and reminiscence card

 Distributor: Nikon Australia,1300 366 499; www.nikon.com.au.  

TESTS

 Based mostly upon JPEG recordsdata.

 
 Based mostly upon NEF.RAW recordsdata (14-bit, uncompressed) transformed into 16-bit TIFF format with Adobe Digital camera Uncooked.

SAMPLES

 All pictures captured with the AF-S DX Nikkor 580mm f/1.4G lens.
 

 Auto white steadiness with incandescent lighting, Auto 0 setting (retain white).
 

 Auto white steadiness with incandescent lighting, Auto 1 setting (regular).

 Auto white steadiness with fluorescent lighting.

Auto white steadiness with LED lighting.

Auto white steadiness with flash lighting.
 

30 second publicity at ISO Lo1, f/4.
 

30 second publicity at ISO 100, f/5.6.
 

15 second publicity at ISO 1600, f/10.
 

10 second publicity at ISO 6400; f/11.
 
 

5 second publicity at ISO 12800; f/11.

2.5 second publicity at ISO 25600; f/11.

1.3 second publicity at ISO 51200; f/11.
 
 

1/8 second publicity at ISO Hi1; f/16.
 
 

1/13 second publicity at ISO Hi3; f/22.
 

1/30 second publicity at ISO Hi5; f/22.
 

Flash publicity, ISO Lo1, 1/60 second at f/2.5.
 
 

Flash publicity, ISO 100, 1/60 second at f/2.8.
 
 

Flash publicity, ISO 1600, 1/60 second at f/5.6.
 
 

Flash publicity, ISO 6400, 1/60 second at f/8.
 
 

Flash publicity, ISO 12800, 1/60 second at f/10.
 
 

Flash publicity, ISO 25600, 1/80 second at f/11.
 
 

Flash publicity, ISO 51200, 1/125 second at f/14.
 
 

Flash publicity, ISO Hi1, 1/160 second at f/16.
 
 

Flash publicity, ISO Hi3, 1/250 second at f/16.
 

Flash publicity, ISO Hi5, 1/250 second at f/16.

ISO 100, 1/200 second at f/4.5. P mode.

ISO 100, 1/8000 second at f/1.4. A mode.
 
 

ISO 100, 1/160 second at f/3.2. P mode.
 
 

ISO 400, 1/500 second at f/3.5. P mode.
 

ISO 400, 1/500 second at f/5. P mode.
 
 

ISO 400, 1/500 second at f/2.8. P mode.
 
 

ISO 1600, 1/250 second at f/2.8. P mode.
 
 

ISO 900, 1/250 second at f/2.8. P mode.
 
 

ISO 51200, 1/2000 second at f/7.1. P mode.
 

 ISO 6400, 1/320 second at f/4.5. P mode.
 
 

ISO 1100, 1/250 second at f/2.8. P mode.
 
 

ISO 800, 1/200 second at f/3.2. P mode.
 

 Hi5 setting, 1/8000 second at f/11.
 
 

Hi3 setting, 1/8000 second at f/9.
 
 

Hi1 setting, 1/8000 second at f/7.1.
 
 

ISO 51200, 1/5000 second at f/7.1.
 
 

Nonetheless body from 3840 x 2160 (4K UHD) video clip recorded at 25p in MOV format.
 
 

Nonetheless body from 3840 x 2160 (4K UHD) video clip recorded at 25p in MP4 format.

Nonetheless body from 1920 x 1080 video clip recorded at 50p in MOV format.

 Nonetheless body from 1920 x 1080 video clip recorded at 50p in MP4 format.
 
 

 Nonetheless body from 1920 x 1080 video clip recorded at 25p in MP4 format.

 Nonetheless body from 1280 x 720 video clip recorded at 50p in MOV format.
 

Nonetheless body from 1280 x 720 video clip recorded at 50p in MP4 format.

Score

RRP: AU$ n/a; US$1249.95

• Construct: 8.7
• Ease of use: 8.7
• Autofocusing: 8.4
• Nonetheless picture high quality JPEG: 8.8
• Nonetheless picture high quality RAW: 9.0
• Video high quality: 8.5

Purchase